Casino ein Film von Martin Scorsese mit Robert De Niro, Sharon Stone. Inhaltsangabe: Las Vegas hat zwei Gesichter: das eine ist glamourös, das andere ist. Der Film handelt von Aufstieg und Fall des Gangsters Sam "Ace" Rothstein (De Niro), der auf der Figur des echten Gangsters, Frank "Lefty" Rosenthal, basiert. Das. Casino ist ein Kriminalfilm-Drama aus dem Jahr des Regisseurs Martin Scorsese, der das Drehbuch zusammen mit Nicholas Pileggi schrieb. Dessen.
Casino (Film)Anfang der 70er-Jahre leitet Sam Rothstein (Robert De Niro) für die Mafia eines der lukrativsten Casinos von Las Vegas. Der Erfolg macht ihn scheinbar. Casino „Casino“ // Deutschland-Start: eines Mafia-Syndikats, zum Leiter des Tangiers, eines Casinos in Las Vegas gemacht. Casino: Drama/Thriller/Kriminalfilm/Gangsterfilm/Mafiafilm von Barbara De Fina mit Frank Vincent/Don Rickles/Sharon Stone. Jetzt im.
Casino (Film) Impostazioni dei sottotitoli VideoCasino (1995) - Cheater's Justice HD
Als Strohmann wird der behördlicherseits nicht vorbelastete Philip Green als offizieller Kasinomanager eingesetzt, der alles abzeichnet, was ihm vorgelegt wird.
Aufgrund seiner langjährigen Erfahrung als Glücksspieler und Buchmacher und durch einen perfektionistischen Führungsstil gelingt es Ace, den Umsatz des Tangiers zu verdoppeln, und das Haus erlebt einen Boom.
Nicky hat aber nicht vor, nur den Beschützer für Ace zu spielen, zumal er an den Einnahmen aus der Abschöpfung der Kasinos nicht beteiligt wird.
Da sich Nickys Bande an keine Regeln hält — er selbst spielt ganz offen falsch in den Kasinos —, wird er bald im Black Book eingetragen und damit mit einem generellen Zutrittsverbot für alle Kasinos in Las Vegas belegt.
Der heruntergekommene Junkie wendet sich in seiner ständigen Geldnot wiederholt an Ginger. Vom Leben in Reichtum, Untätigkeit und Luxus gelangweilt, wird Ginger immer unzufriedener und unglücklicher, verfällt Alkohol und anderen Drogen , vernachlässigt die gemeinsame Tochter und geht mit Nicky eine Affäre ein.
Nicky willigt ein, ihr neuer Beschützer zu werden. Lire plus. De l'autre, Nicky Santoro Joe Pesci un dangereux italien qui ne sait obtenir celui-ci que en Secret de tournage.
Si vous aimez ce film, vous pourriez aimer Le Parrain, 2e partie. Le Parrain. Apocalypse Now Final Cut.
Sam doubles the casino's profits, which are skimmed by the mafia before taxes are paid. Nicky's volatile temper and Chicago criminal background eventually gets him placed into the Nevada Black Book , banning Nicky from every casino in Nevada.
Dominick and Frankie gather their own experienced mob crew, and often engage in non-sanctioned shakedowns and elaborate burglaries instead.
Sam meets and falls in love with beautiful hustler , dancer, and former prostitute Ginger McKenna. They have a daughter and marry, but their marriage is quickly thrown into turmoil due to Ginger's relationship with her former boyfriend, con artist -turned- pimp Lester Diamond.
Ginger turns to alcohol and develops an increasingly problematic drug addiction. In , Sam fires slot manager Don Ward for incompetence.
When Ward's brother-in-law, Clark County Commission chairman Pat Webb, fails to convince Sam to rehire Don, Webb arranges for Sam's gaming license to be denied, jeopardizing his position.
Sam blames Nicky's recklessness for ongoing police and Nevada Gaming Board pressure, and the two argue furiously in the Mojave desert. Sam starts hosting a local television talk show, upsetting both Nicky and the Chicago bosses for making himself such a public figure and bringing unwanted attention to their operations.
Piscano writes everything he knows about the operations in a notebook. Sam seeks to divorce Ginger, who kidnaps their daughter, planning to flee to Europe with her and Lester.
Sam convinces Ginger to return with Amy, then overhears her planning on the phone to kill him. Sam kicks her out of their home but later relents.
Ginger approaches Nicky to get her valuables from Sam's safe deposit box, and the two start an affair. Sam confronts and disowns Ginger, and ends his friendship with Nicky.
Nicky throws Ginger out when she demands he kill Sam. Drunk and furious, Ginger crashes her car into Sam's on the driveway and retrieves the key to their deposit box.
This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.
This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours.
That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.
While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile.
It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot.
A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better. Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas.
The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such.
The soundtrack is probably meant to match. But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.
That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City.
So I can understand the motivation, but I'm not sure the final result exactly worked. Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods.
The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be.
For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it.
Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning.
It tends to make it feel even more stretched out, as you keep anticipating that scene. But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.
Molte delle riprese vennero pianificate in fase di pre-produzione da Scorsese e dal direttore della fotografia , soprattutto quelle in movimento, durante le quali la luce dev'essere molto precisa.
I costumi vennero creati da Rita Ryack e John Dunn , che confezionarono decine di abiti su misura per tutti gli attori del cast.
In tutto, la Ryack e Dunn confezionarono 70 completi. Per Ginger, invece, furono realizzati circa 50 costumi.
Specie nell'ultima parte della pellicola, i costumi di Ginger dovevano metaforizzare la sua voglia di proteggersi e, per questo, vennero tessuti in pelle.
Molte tracce non sono incluse nella colonna sonora ufficiale della pellicola, come Sweet Virginia dei Rolling Stones e Gimme Shelter , una costante di molti film di Scorsese fa parte della colonna sonora del precedente Quei bravi ragazzi e del successivo The Departed - Il bene e il male.
Ecco i brani in ordine cronologico  :. Dalla colonna sonora fu tratto un doppio compact disc , selezionato e prodotto da Robbie Robertson , quindi pubblicato dalla MCA Records.
Il film venne realizzato con un budget di Altri progetti. Da Wikipedia, l'enciclopedia libera. URL consultato il 28 dicembre Film d'animazione.
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Cannes Film Festival.Billy As Kartenspiel. Geri did not contest Btts Tips. And for a while, I believed, that's the kind of love I had. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.